Latest issue of ‘The Review’ out now- Vol. XXIV, No. 3, Autumn 2016 (Special Colour Issue)

The latest edition of ‘The Review’, Vol. XXIV, No. 3, Autumn 2016, is now available. Members receive ‘The Review’ for free but copies can also be purchased by non-members. Please email info@Pre‑Raphaelitesociety.org for details.

  1. “A ‘Damned Proeraphaelite’? George du Maurier’s Ekphrastic Drawings for Good Words, Once a Week and The Cornhill (1860-65)” by Francoise Baillet.
  2. “Edward Burne-Jones’s The Planets: The Cartoon of Mars at the Birmingham Museum and Art Gallery” by Liana De Girolami Cheney.
  3. “’Images of Desire’: Twenty Sketches by Simeon Solomon (1868)” by Carolyn Conroy.
  4. “Symbolic Realism: Science and the Poetic in early Pre-Raphaelite Painting” by Lea Felicitas Doding.
  5. “James Smetham: Wesleyan Pre-Raphaelite” by Peter S. Forsaith.
  6. “”Her False Crafts”: Morgan Le Fay and the Wild Women of Sandys’s Imagination” by Sally-Anne Huxtable.
  7. “Music & Memory: John Roddam Spencer Stanhope’s The Gentle Music of a Bygone Day and William Morris’s The Earthly Paradise” by Simon Poe.
  8. “The Problematic Art of Ilustrating ‘Moxon’s Tennyson’” by Heather Stevenson.

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Visit: Biddulph Old Hall, Stoke-on-Trent with tour by Nigel Daly, 22 April

Biddulph Old Hall is the historic home of the Biddulph family from which the town gets its name. The inhabited house was originally a small single cell hunting lodge which was developed into the family’s principal residence, part-stone, part-timber framed. Around 1530, a new mansion was commenced alongside the existing manor, and this was described as “Mr Biddulph’s Fair New House of Stone” in contemporary accounts. The house had the involvement or influence of Robert Smythson in its architecture. The Biddulphs were Recusant Catholics and so by about 1580 were being fined heavily so work stopped. No further development was achieved before the house was caught up in a siege during the English Civil War in February 1644, after which it was brought to ruin. The family never rebuilt the new mansion, instead restoring the earlier house which still survives today.

The house was sold out of the family for the first time in 1861, when it was bought by James Bateman, the creator of the famous gardens at Biddulph Grange, now in the care of the National Trust. His youngest son Robert created a studio there, and from 1871 had a lifetime tenancy on the house, painting many of his best known works in the house. Many of his artistic circle visited. During the 20th century the house slowly slipped into disrepair but has been restored by Nigel Daly and Brian Vowles, who have also created a Briar Rose garden within the remaining upstanding ruins. Currently three of Robert Bateman’s original works are on show in the house.

We will be treated to a tour of the house by the owner Nigel Daly with tea and cakes after the tour and free time to explore.

For further details relating to the event mentioned above please email info@Pre‑Raphaelitesociety.org.

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Treasurer and Membership Secretary posts for the Pre-Raphaelite Society

Michael Wollaston will be standing down as Treasurer and Vice-Chairman of the Society at the forthcoming AGM in October 2017, after serving on the Committee for twenty years. The PRS would like to hear from anyone who might be interested in taking on the role of either Treasurer or the newly created post of Membership Secretary, from November 2017. The main duties of the two posts are described as follows:

Treasurer – the main duties are to maintain the accounting records for the Society; make payments to lecturers, event venues, printers and other suppliers, reimburse committee member expenses, etc.; to receive and bank cheques from miscellaneous parties; produce monthly bank reconciliations; produce bi-monthly accounts for committee meetings plus an annual Treasurer’s Report for presentation at the Annual General Meeting; prepare and submit an annual HM Revenue & Customs Gift Aid claim. The Treasurer would need to attend the five committee meetings plus the Annual General Meeting held in Birmingham each year and will need to be resident in the UK. Expenses such as stationary and postage will be reimbursed.

Membership Secretary – the main duties for this newly created post are to maintain membership records including status spreadsheets and address label files; to monitor the collection of membership subscriptions through the issue of annual renewal and reminder notices; to receive new member applications; to receive and bank cheques from members and to respond to member queries. Ideally the Membership Secretary would be able to attend the five committee meetings plus the Annual General Meeting held in Birmingham each year and will need to be resident in the UK. Expenses such as stationary and postage will be reimbursed.
To make an enquiry or to discuss the duties more fully, please contact Michael Wollaston on either 01676 530512 or 07739 892309 or email info@Pre‑Raphaelitesociety.org. Send applications for both posts including curriculum vitae to info@Pre‑Raphaelitesociety.org. Closing date for applications: 30th September 2017.

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Lectureby Wendy Holborow – ‘Work’ Forward Motion, March 18

Venue: John Peek Conference Room, Birmingham & Midland Institute, 9 Margaret Street, Birmingham – Lecture starts at 11.00 a.m. Reception from 10.30am.

Please note that there is a change of speaker for this event to that previously advertised.

In 1864, Ford Madox Brown declared that ‘the finished canvas embodies no less than the work of my life.’ He was referring to his painting ‘Work’ which took more than eleven years to complete, eventually aided by regular instalments of money from his patron Thomas Plint. This lecture will look at Ford Madox Brown’s painting ‘Work’ through a collection of poems and a short play. The corona of sonnets in the series, won first place in this Society’s 2016 competition. The poems take many poetic forms such as the sonnets, but also a Mesostic and several open field poems. Much of the narrative is a figment of my imagination, backed up with research on the painting and the social commentary of Victorian England. It has been said that the painting had radical implications by placing the working man at the top, rather than at the bottom of society’s hierarchy of value. I am not an artist in pictures, but in words, as I have said in my poem ‘Our Painter’:

Your lithic patience, work of ethics,
limned – yours and mine in tandem.
I shadow your images
with a translation, an explanation.

Wendy Holborow, winner of The Pre-Raphaelite Society 2016 poetry prize, poet, playwright and story writer. She was born in South Wales, UK, but lived in Greece for fourteen years where she founded and co-edited Poetry Greece. She has won prizes for poetry some of which have appeared in Agenda, Envoi, Poetry Ireland Review, Poetry Salzburg Review, and many others internationally. She was awarded a poetry Mentorship with Literature Wales in 2012 and has just completed a Masters in Creative Writing at Swansea University (with distinction). She was selected as an International Merit Award winner by the Atlanta Review in 2015 and 2016. Poetry Salzburg published her collection After the Silent Phone Call (2015) and An Italian Afternoon from Indigo Dreams is forthcoming this year. The book Work’s Forward Motion, (2017) will be available after the lecture.

For further details relating to the event mentioned above please email info@Pre‑Raphaelitesociety.org.

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London visit: Guided tour of ‘Flaming June: The Making of an Icon’, March 25

Venue: Leighton House Museum, 12 Holland Park Road, London, W14 8LZ, at 2 p.m.

Flaming June: The Making of an Icon’ (4 November 2016 – 2 April 2017) is a landmark exhibition for Leighton House Museum, returning Leighton’s most famous and celebrated work to the artist’s house from the Museo de Arte de Ponce in Puerto Rico. Depicting a sensual, sun-drenched, sleeping female figure wrapped in orange draperies against a Mediterranean backdrop, the exhibition explores the extraordinary story of this picture and subsequent rise to international fame as one of the most memorable and reproduced images in the whole of British art.

At Leighton House Museum, Flaming June will be shown beside the other works submitted by Leighton to the Academy that year, all of which were memorably captured and photographed on easels in Leighton’s studio immediately prior to being sent to the Academy in 1895. The re-gathering of these pictures places Flaming June back into the context of its original exhibition, providing a compelling starting-point for exploring its history.

This guided tour is open to all PRS members – friends are welcome. Please note that events/entrance tickets are not issued in advance of the exhibition. Pre-booking is mandatory. The Society reserves the right to allocate places on a first-come, first served basis where demand for places exceeds venue capacity.

Please email nouveaudigital@gmail.com for prices and further details before 6th March 2017 to reserve!

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Lecture by Dr. Lucy Ella Rose – ‘Evelyn De Morgan: The Metamorphic Mermaid’ February 25

Venue: Birmingham & Midland Institute, 9 Margaret Street, Birmingham – Lecture starts at 11.00 a.m. Reception from 10.30am.

‘Second generation’ Pre-Raphaelite Evelyn De Morgan (1855-1919) actively supported female emancipation in petition and paint. This paper investigates how she employed the metamorphic mermaid as a model for socio-political transformation from captivity to liberty. Her series of mermaid paintings ‘The Little Sea Maid’ (1880-88), ‘The Sea Maidens’ (1885-86) and ‘Daughters of the Mist’ (1900-09) was inspired by Hans Christian Anderson’s popular tale ‘The Little Mermaid’ (first translated into English in 1872), and she seizes the narrative as a suffragist. Focusing on their series, this paper explores the representation of the female nude; the feminist significance of the sea; the dynamics of the gaze; the subversive symbolism of the mermaid; and the significance of the dawn in early feminist iconography. It shows how Evelyn re-appropriated masculine symbols and classical myths and represented the female body in her art in order to engage with contemporary gender debates and early feminist issues.

Lucy Ella Rose is Teaching Fellow in English at the University is Surrey, where she completed her PhD awarded by the University and Watts Gallery, Surrey in 2015. Her specialist area is women in the nineteenth-century creative partnerships, and she is currently writing her first book: Suffragist Artists in Partnership: Gender, Word and Image. For publication by Edinburgh University Press in 2017.

For further details relating to the event mentioned above please email info@Pre‑Raphaelitesociety.org.

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Lecture by Helen Bratt Wyton – ‘Hidden Wightwick and the Acquisition of its Collection’ Jan 21

Venue: Birmingham & Midland Institute, 9 Margaret Street, Birmingham – Lecture starts at 11.00 a.m. Reception from 10.30am.

Wightwick Manor, home of the Mander family, was designed by Edward Ould in the Old English Style. Now in the care of the National Trust, it is a treasure trove of the Arts and Crafts Movement with Kempe glass, Morris fabrics and wallpaper and a wonderful selection of Pre-Raphaelite art. This illustrated lecture will explore Wightwick Manor’s reserve collection and how it’s stunning art collection came to Wolverhampton.

Helen Bratt-Wyton has been Head Steward at Wightwick Manor for 15 years. Her varied role involves looking after Wightwick Manor’s stunning collections and interpreting these to the public. She also delivers a yearly talk programme on site and to groups and Societies around the region on Morris, the Pre-Raphaelites and Wightwick Manor’s collections. Helen is one of the founder members of the William Morris Network, a group of organisations and Societies involved with the life and work of Morris and his circle.

For further details relating to the event mentioned above please email info@Pre‑Raphaelitesociety.org.

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